Kevin Tasker reviewed CORRECTION for The Cleveland Review of Books, writing, in part,
Gabriel Blackwell’s searing new work, CORRECTION: 101 Readymades, may be the closest anyone’s come to capturing the bleak unsettling strangeness of American consciousness in the age of social media. The book, a rollercoaster ride of recursions, functions like a “Great American Novel” purged of pesky constraints like the delay-of-desire and labored exposition.